First order of business today is a bit of back repair and the promoter has arranged so graciously an acupuncture/acupressure specialist to swing by my room and fix me up. While I am waiting, I head over to the mini bar drawer and find a coffee which both impresses and depresses me. Japan's creativity and creations are amazing and some of the things they come up with boggle the mind. So there is a coffee cup and a mini filter and little filter holder and cream and sugar and a stir stick and a top all in a neat little package.

Dump in hot water and poof, a perfect cup of drip coffee. While this is interesting and somewhat useful, it also highlights the reality that a many Japanese products are beyond belief wasteful in their packaging to the point where the amount of trash created often outweighs the consumable product itself, do you remember the plastic bottles full of ice when I was here before? Which in my opinion cancels out the cool factor. True beauty in design occurs when a harmonious balance between function, aesthetics and efficiency is reached while minimizing any negative impact that resides in the surrounding world from both manufacture and post consumption.

The massage /acupressure does a great job of lining me back up and reducing the ouch factor and it is time to head to the gig and a good sized gig it is. The moment I walk in through the revolving doors the instant air pressure surge hits me. "Ah, an air filled dome." It is one of those venues where they have a soft flexible roof and giant blower fans some where that pumps in enough air to keep the roof up, sort of like a giant version of those air filled things kids jump around in at the fair. All doors the are revolving and the trucks enter through multi-stage air locks to unload and it gives me a headache if I go in and out of the pressurized room too many times.

The air supported ceilings are surprisingly strong and as you can see in the picture below, you can hang lights and stuff from the flexible roof. Our touring production is too heavy for it though so we have everything supported by the stage we had brought in for us. Occasionally while touring I have come across and air filled arena where we have hung the sound system from the floating roof and it is really strange to see the chain motors running and the gear not lifting till the roof sufficiently sags to to hold the load. And then when audience leaves at the end of the show, the PA drops down a bit due to the air pressure dropping/escaping.

The double hung mains and 15 deep side hangs with 3dV-Dosc under all clusters plus 6 dV-Dosc in top of the side hangs and for center cluster totaling a whopping 90 V-dosc and 36 dV-Dosc not including delay clusters and that is one bad ass PA!

Down below is a modified sub cannon setup with 4 side stacks using a 2 foot spacing and an 8 sub center cluster.

Here is a graphic of the sub layout that roadie Lee put together, Lee rocks!!

Having this much clean sound power is really fun. Hello Homare, Tukiji and Raymond and thank you for the awesome fish market adventure and coming over to my office for a rock show adventure! Sashimi and Soju for all!

Speaking of rock show, hey look, there it is!

Now that was fun!

Dave Rat

Paris

**** Ponderings ****

Day Breathing, eating and sleeping are choices deeply intertwined with the survival of an individual

**** End Ponderings ****

**** A Toast to Us Friends ****

A pause for a moment with a smile and I want to thank all of my bloggery friends from the depths of my heart for bringing me that that smile to my day, everyday. Who would have ever knew that a wandering soundie could be embraced so warmly by so many amazing and unique friends that span the globe. The whole thing is as absurd as it it is heartwarming. Even the thought that a person can have job purpose of controlling sound is an oddity unto itself and it exceeds any dreams I could have imagined my future to be. To be able to share this sensation of motion and feel \ so many interesting and amazing people are joining in, is beyond words I can express. I looked at the web site statistics today and they say that over 5000 unique visitors are viewing the blog daily, mind bending, mysterious multitudes. Yet I have come to know through comments and emails perhaps 100 and I read every one. I apologize for being slow to respond and at times I feel I have I have bitten off more than I can chew. I do plan on catching up on answering question perhaps not for a bit though as just trying to catch up on posts alone is a challenge in itself. So here is to all of you and to us and to never knowing what will happen next and to the curious and to opening each new day like birthday present.

**** End Toast to Us Friends ****

Last night I ovenighted with the band and 9:30 am sees me at the venue a full 36 hours before the show, this is not a normal day.

**** Issue of the Day ****

Everything. Things are amiss. We have been cycling through various stage setups and nothing is stable. Something is not right. The sound on stage is all over the place. Daniel is in spirally hell and no matter what he does he is helpless to get it under stable control. My job is to find and fix the issue. There are several potential culprits I found:

1) The PA is behind the band. Typically this is a bad thing but not the end of the world. IT makes my job tough as everything I do is heard by them and can screw them up so I have to mix with care, but we have done it before and not had an issue.

2) The video screens in front of the PA are new. Though they let most of the sound through and do effect the sound, I can compensate for it. More relevant is that there is "splash from the video rags that reflects onto stage kind of like shooting a hose through a screen door.

3) There is a curved roof over the band. Curved surfaces act as sound reflectors and like a curve mirror, reflect the sound to a center point. That point is AK's mic.

4) that stage is resonant. If you jump on the stage it makes a boomy sound, though the issue is mainly described as a high frequency wash that makes it hard to hear each other, it is possible that low end is overloading the in ear units.

So here I sit with Manny the Aussie rigger doing all we can to address the issues and what we did is 5 things. First we had 4 feet removed from the front of the stage which pushed the band back relative to the PA. Next we moved the video screens out from in from of the PA. Third we draped theatrical black cloth on the inside of the curved roof to reduce reflections. Then locating more stage tops, we double layered the stage to increase the sturdiness of the stage. Finally we crossed our fingers because there was nothing else to done, if this does not work, I am at a loss. It must. And tomorrow we hope for a day that is:

**** hopefully End Issue of the Day ****

And off to find an adventurous night out as a group of bloggery friends who have self proclaimed themselves "The Ratketeers" are in town. Cheers and beers and many bottles of wine deep, a most memorable adventure indeed.

Dave Rat

Though at times life is stressful, so many things are sweet.

And of all the things we commonly eat, how strange is it that we avoid consuming anything that has anything to do with insects except honey. Our only insect created food.

Five stages, each unique and each with a sound system to suit and being that this blog somehow relates to sound, I may as well cling to that for a while. The Gobi tent is the smallest yet small is a matter of perspective. And while yes, in some things bigger is better, that train of thought does not slide well into the world of music and more than saying mega masses and huge distance is better than intimate up close and connected. And so goes the Gobi tent where a mixture of our future main stage artists commingle with eternal fringe. It was hard to photo the tents but I do have grainy cool shot.

Ooooh, the huge Midas XL4 driving a ground stacked Rat Trap 5 system, for all the audio fans out there. Next in line is the Mojave tent which have a bit more of a "rock" vibe.

The tent had a flown L'Acoustics Kudo rig

and also was the where I saw my personal favorite of the bands that I had neve heard of or seen before, Gogol Bordello

Pirate gypsy music with a punk rock edge and an amazing fiddle player and a whole crazy circus vibe, oh my, how happy was I? Quite indeed, I will have to seek out a CD and see if the thrill prints to plastic. The largest of the enclosed areas is the massive Sahara Tent and it is all about DJ's and dance and bands that follow that groove. Speakers were everywhere and so many sub-woofers you could blur vision. Like a magnet for beauty and motion wonderful to watch but my motions were too widespread to let myself get wrapped up in the trance. Here is an early day shot of the back side. As you can see, speakers are criss cross firing and that repeats through out the tent creating a surround sound setup consisting of a multitude of V-Dosc and dV-Dosc and way too many subs.

The "Outdoor Theater" is the next in line and ran a nice V-Dosc rig.

And finally, the Main Stage as seen from the VIP area. If you look closely you may notice that there is the fully hung dual V-Dosc rig with two 15 deep banana's per side, plus 3 deep dV-Dosc plus 6 V-Dosc and 6 dV-Dosc per side as outer fills.

Up until today seeing the rig hang was impressive but today is special. You see, this is the first time that the Peppers touring setup of a double hung system has made is into an actual festival gig and it was no easy task. While this brings me much glee, I am also getting a bit worried. Many hoops were jumped through, many strings pulled and due to logistics, the dual rig that I so vigilantly fought for had to stay up for the entire festival. Being that Rat did not have the equipment to cover it, Rat sub hired the additional speakers at considerable cost which needed to be covered somehow and that is not even the part that worries me. Oh jees, what have I gotten myself into?

To be continued..

Dave Rat

Before I even made onto the arena floor, Fletch walks by with smile and says "you are going to have fun tonight!" in his semi sarcastic gruff smirking way. Huh? "You'll see." he says and off he goes. Fletch is a Rigger. Fletch has been around a long long time and though Fletch is sarcastic, it was not 30 steps more before I understood. And yes folks, we have a live one. Every once in while you come across a venue that thinks sound should be more like the Energizer Bunny and keep going and going and going. There is a train station in Chile, a building on the fairgrounds in San Diego, an airplane hangar in Germany that hold some top honors for venues with less than optimum acoustic aspects. Today though is not near as bad as those, it is clear that before even the first note comes through the sound system, from just the sound of typical background noise of a load in, that it is not near as good as the typical arena's we have been running into. Oh well, as usual, I try my best not to overly concern myself with issues that are beyond my control and focus on the things I can.

Today's special feature is none other that the much loved, by us, and often misunderstood, by people more serious about keeping the music they see within certain boundaries, I present the very cool to hang ot with and fun and funny to watch, Har Mar Superstar.

For all of you out there that have ever felt the slightest tinge of stage reluctance, Har Mar Superstar can swat that out of your mind as bold as bold can be, it is hard not to smile

And also rocking with them is Tony Bevilacqua

on Bass who I know from when he played guitar in for the The Distillers and Fabrizio Moretti

who you may recognize from the The Strokes. And never forget to be serious because otherwise you will end up having fun!

**** Sound Nerd Speak ****

So I was faced with an option a few months back. "Dave, there is not enough V-Dosc in New Zealand to do the double hung PA, would you rather go to single hung clusters or use a non-V-Dosc double hung rig?" Hmmm, what do we got a choice of? "Well, Oceana has a enough Meyer Milo there to double hang and they have always been a great vendor on past tours." Then there you have it, we stick with the vendor we like, and go double hung Meyer, besides, I got to hang out with Buford Jones a few months ago when he came to visit me on Peppers tour and he is all about Meyer and I like Buford!

So on Meyer I mix and it went pretty well and was happy enough to use the rig again, I did miss my V-Dosc though and sorry I did not get a better system photo for ya.

**** End Sound Nerd Speak ****

And a Peppers pic to finish out the day,

Stay tuned for more flying roadies tomorrow, we have a plan to fly from high places!

Dave Rat

PS, I really love the comments and they inspire me to stay focused on the blog and appologize for not responding, but I will!!

**** Sound Nerd Speak ****

Due to the far awayness and the timeline of travel, we have left behind the Rat PA system in the US and I will be working on regionally hired sound systems in Australia and Japan. The stuff we carry with us we have paradoxically named the "global gear" which consists sound wise of the band's backline gear, the monitor system, my front of house console and outboard gear, the Pro Tools recording rig and two large tigers. As far as the main PA system is concerned, we do our best to mirror image it as best we can. The success rate of getting identical gear varies from country to country but for the most part, we can get pretty close with the main difference usually being that we can only get the Rat Subs from the Rat Shop. I will miss them dearly but the V-Dosc SB 218 subs can get pretty close with some audio massaging. So here is the sub cannon setup built with SB 218 triple stacked rather than the double stacked Rat Subs.

**** End Sound Nerd Speak ****

For all y'all that have yet to do earthly traveling down under or to the UK and also happen not to live in those regions, you may not be familiar with the black gooey substances with a strong savory odor known as Marmite in England and Vegimite for the Aussies. Though the two are a bit different and there are several other versions available like Bromite, they all carry the common trait of being an emotionally and passionately dividing line of opinion. Talk about a love hate/hate thing, this stuff is one of the top contenders of acquired taste or immediate revulsion depending on your culinary adventurousness and childhood exposure. Personally I hate the stuff. Or at least that is what I used to say before I started thinking. "Hmmm, so many people love this stuff, it smells like crap and tastes even worse but wow, the people that love it truly love it and it seems to make them so happy." So one day many years ago I set aside my closed minded bias and asked an English friend to make me up a Marmite toast and gave it a shot with big eyes and curiosity and you know what? It was good! Spread super thin on hot buttered toast, I understood and added one more thing to my life that makes me happy.

It is not for everyone but once you get it, yumm! Oh wait, look! Some magical face has mystically appeared on my Vegimite toast and I was going to sell it on Ebay but alas, I could not help but eat it up.

Hmmm, I wonder what is in here, this smells delicious as well

Show tomorrow!!

Dave Rat

You never really know at what point the day disappears. I get on the plane on wednesday evening, fly for 14 hours and land on friday morning. Bye bye thursday. Though I guess it does not really disappear and it actually is just a really short day that comes and goes with the monotone blur of muffled jet noise and questionable plane food and though it may have been a short for a day but it sure makes for a very long plane flight.

So there I sit for hours on end in various forms of uncomfortable, tilting the chair back only to experience my pants working their way into a giant wedgey and my shirts creeping up my back as I slow motion ramp slide downward into the foot rest. So to no avail I start pushing more buttons before thinking as I am sure everyone does "How do these motor tilt plane chairs work, I wonder what's down under?" Lets take look!

Ewwww, lots of stuff, some necessary to the operation of the chair and the rest more resembles an archeological dig into the eating habits of past plane riding humans, ewww! Oh, and I want you to meet my friend Joey, who lives in the square box mounted in the seat in front of me,

Wow, check out the belly button on that critter! Enough monkey business, I really got nothing for you today except that even in the short time on this giant island I have spent here so far I have been drenched in sunshine,

smiles and an all around feeling of happiness amplified by the constant stream perfectly refined Australian sarcasm.

Correction, I do have one thing with a bit of relevance to offer beyond random babbling's and focusing on the irrelevant. The support act for this Aussie tour is Har Mar Superstar and though I am not familiar with their music, yet, I did receive their stage plot and technical requirements. This information in roadie terms is known as the "Tech Rider." The tech rider is a critical document that is hopefully but rarely forwarded to all involved parties so that the proper sound, light and specialized equipment can be supplied. Assuming the tech rider is up to date, which actually occasionally occurs, and it is within the scope of some sort of achievable reality, which also does occur at times, then the sound, light and production crews all set about on their busy ways to assemble bits of equipment so the support act is can be filled with glee. Fortunately, Har Mar Superstar appears to be one of those few bands that actually have their world together and have supplied all the relevant info in a timely manner to the proper entities. I like them already! In case you are curious as what a real life tech rider actually looks like, I have taken the liberty of posting the sound portion in it's entirety below. If you are not technically inclined though, feel free to skip the next section.

**** Sound Nerd Speak ****

**** End Sound Nerd Speak ****

Oh, and by the way, for all of you still trapped in yesterday, tomorrow is already a pretty good day.

Dave Rat

I run across humans that choose a way of life of ruthless self perpetuating greed, and also those that choose selflessness to the point that it becomes cripplingly hindering to their own health, livelihood and then all those that have balance somewhere in between with strength in direction moderated by compassion and patience, for people, for the environment, for the critters and for their own selves. As long as I just keep remembering not to forget to stand mid teeter totter, all is good.

**** Sound Nerd Speak ****

I went to a few shows and once again was baffled by what I heard so I thought I would share some illusive and amazing secrets of mixing a rock show with any engineers or engineers to be out there:

1) Make it so you can hear all the instruments and vocals.

2) Make the instruments sound somewhat similar to what they actually are.

3) Have some sort of concept of either how loud the audience wants to hear it and how loud the band wants to be presented and try to make the appropriate humans happy.

For some reason, these three basic concepts escape many a sound engineer. So I have compiled a list of helpful hints:

If a high percentage of the audience is holding their ears or leaving, that is usually not so good.

• You can typically assume that the percentage of the audience that would prefer to hear it really loud with feedback howling is lower than the percentage of the audience that will be ok with it a bit lower in volume and not feeding back.
• Hearing the lead vocal is more important that the effects on the snare drum. Though I have no actual hard evidence of truth to this, I have noticed that if I watch the moths of the audience members, very few if any are singing along with the snare drum effect sound.
• The kick drum may be channel #1 on most stage plots. That does not automatically mean that the kick should also be #1 in volume.
• Make a live tape of the show with a mic in the audience, if the you can't hear all the instruments and understand the vocals on the live tape, it is highly likely that the audience had the same experience.
• If a venue has a whole bunch of low mid boom to it, EQ it out. Don't be shy, don't just live with it, take it out. Boomy room sound = bad! The most common issue I see with sound engineers mixing in larger venues is that they do not deal effectively with the room resonances. Typically it will be between 120 and 180 hz in arena type rooms. Please, please, say bye bye to the room resonance and then be happy along with 10,000 of you new best friends.
• Things that hurt your ears a little bit are usually excruciatingly painful to the bulk of the audience that has not been exposed to near as many shows as you have. Ouch = bad. Exception: If the audience is really drunk you can turn it up really loud and they usually don't mind
• If you are so buried in the console that you are not watching the band or anyone else around you, then you are most likely mixing for yourself and you are most likely out of touch with the band/audience interaction. The band/audience interaction is pretty much the whole purpose of doing a live show in the first place so not paying attention to it may not be the best plan.

Ok, got, cool!

**** End Sound Nerd Speak ****

Finally I have both had the time and figured out how to convert the old video files I have and actually get them to upload properly. Here is a video of some roadie wanderings back in 2002 on the Pepper's By the Way tour. Random antics and hopefully amusing and interesting enough. This has been up for a while but the video was not working right, now it is!  At least mostly.  For some reason the video moves faster than the sound, but hey, I am not a video guy.

Sunshine in Southern California rules!

Dave Rat

1"As long as expectations don't exceed experiences, everyone has a wonderful time."

Is the thought I was writing in a response and I then I started to ponder various experiences I have had in the past that made me happy or bummed and there is a clear correlation. I started to think and found that my verbal terms for the view angle of open expectation is 'big eyes,' curious and wandering. The mind set of 'anything can happen, hey come on, lets go see what it will be!' versus 'first I want this and second I want this and if this does not happen I will be so bummed.' Dating, rock shows, job interviews, and vacations all so often see humans with less than exuberant views on their outcomes when people involved don't moderate their expectations to leave room for the unexpected to occur. I have found personally that if I do the things I enjoy because I enjoy them, with big eyes and curiosity rather than pre writing the story line, that positive outcomes flow freely. And that is exactly how the blog posts unfold into existence each morning when I scan over the pile of recent thoughts, experiences and photos to see where the words I type will wander hopefully not getting too lost and ending up in the dreaded desolate forest of boring. Good morning!!

How about today we take a look at a Rat Sound analog snake splitter system?

**** Sound Nerd Speak ****

Ok for all you non nerds involved in voyeurism of the nerdy ways here is quick run down, while true audio nerds can skip this paragraph. OK, you know how there are mics on stage and they pick up the sound. Also, if you have been hanging around blog world for a while you also know that the Peppers, as most mid to large bands do, have two sound engineers. Our monitor engineer Daniel, is on the side of the stage and mixes the sound that the band hears and the Front of House engineer out front in the audience, me, mixes the sound that the audience hears. In order for the sound from the microphones on stage to get to both places, sound systems have something often called a 'splitter.' Though on the surface all it really is, is a glorified "y" cable, in actuality, they are complex, expensive and if anything goes wrong with it during a show, the outcome is not so good.

Rat Sound is currently based on a 56 channel XLR in, dual W-4 out hardwire splitter system with an external transformer W-4 input and either one or two W-4 outputs depending on the unit. Plus each splitter incorporates a triple 20 channel patchable sub snake array.

The large top box is the XLR input dual W-4 output unit with audio ground lifts on each input. The next unit down with the white blue and violet surrounded connectors allows sub snakes to be connected to the splitter system. You will notice the 60 numbered XLR cables dropped over the top, those are coming from the associated color coded sub snake connector. The cables allow the sub snakes to be patched into the splitter and stay patched over the course of a tour. The bottom box is a Rat built transformer splitter unit. When one of the main splitter W-4's is connected to the input of the transformer splitter, the transformer split provides 2 isolated W-4 outputs also creating a third split that can be used for a recording truck or other need.

The modular design that has evolved over the years with Jon Rat really doing an amazing job in developing the final result. The flexibility and capabilities of this setup makes the complex world of stage wiring fairly easy, reliable and versatile. Oh, and here is the 20 channel stage box

As far as the 6 channel and 12 channel stage boxes, they direct patch via XLR rather than multi pins like the 20 channel boxes.

**** End Sound Nerd Speak ****

I can only hope that my bloggery offerings exceed your expectations. Speaking of that, any bloggery requests? Yes, I know more roadie cards is one I need to do and am hoping to soon, what else? What do ya 'all want?

Dave Rat