Last show of euro arena leg 4 and the wrestling matches have rejuvenated a bit of the old comraderie from years past. I have been spending more time around the dressing room the last few days with my long time friends. I tend to run fairly isolated from the tour and the Trump election had pushed me further into being a hermit.
It’s now 2 am and just back at the hotel with 5 hours to my plane takes off, it’s all about being really good at setting alarms and timing finesse.
We said goodbye to Deerhoof and pick up Babymetal as the new opener on the next run early December.
So here I lay not as tired as I wish I was with my ears slightly ringing as they do. . Plus I have the added bonus of a bunch of new aches from wrestling. I must admit I kind of enjoy the feeling of being human and taking some hits from exposure. Otherwise things would get boring much quicker.
Speaking of ears ringing, many people ask me how I deal with ear protection.
My strategy has evolved over the years from reckless bombardment to moderating. Years ago when mixing Rage Against the Machine, my ears hurt and I had not yet developed a strategy to hold a mix together and reduce my exposure at high volumes.
As wisdom grows worked out a strategy wherein I triangulate the tonal balance of the sound. I use the RTA for a visual reference, the knob settings as a mechanical reference my ears as an auditory reference for the first few songs and a few other times during the show. The rest of the time I use some 20db soft silicon ear plugs I got custom molded from JH Audio that work really well for me. I put them in, let my ears adjust to the lower level and mix most of the show that way.
Ok, should try and sleep. good night
DR
Oh, found the boiler room
You must be logged in to post a comment.