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Dual 18"/dual 15"/dual 10"/1"
Triamp w/ subs on an auxiliary send
(~1987)

We put in bigger 1" horns and added the trap angle on one side.  This system was also based on a vertical line array and could be stacked two boxes wide, horns together.  The line array qualities offered better volume consistency throughout the venue.  When you were up close to the PA, you heard one box as you went farther back you would hear more boxes working together and the coupling would help counteract the volume drop that occurs with distance. At the time we were doing quite a few shows in a outdoor amphitheater in Hollywood.  We began taking measurements of the SPL through out the venue with this system and also when other touring production came in.  True to line array theory, this system demonstrated unequaled volume consistency throughout the venue.  A mere 6db drop in volume from the front row to the back of the venue vs. a 12db to 18db on other non line array systems.

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